Brutal slam death metal is a genre that has gained popularity in recent years, attracting the attention of both longtime and new fans of extreme metal music. In this context, the Canadian band Purity In Perversion steps onto the scene with their debut full-length album titled “NewBorn BabyBong” (previously, they only had singles and an EP). Released independently, this album may not represent a groundbreaking shift in brutal death metal, but its content suggests that the band has a lot to offer.
The album cover of “NewBorn BabyBong” already hints at what to expect. The dark and grotesque artwork captures attention while simultaneously suggesting the brutality of the music contained within. Fans of the finest representatives of the slam death metal scene, such as Analepsy, will undoubtedly find what they are looking for in this release—high-quality sound, crushing riffs, and incredibly intense auditory experiences.
One of the most important aspects of any metal album is its sound. In the case of “NewBorn BabyBong” it is clear that the band invested time and effort to achieve a wonderfully balanced, massive, and powerful sound. The guitars are tuned low, adding depth and weight to the overall experience. Massive riffs are interwoven with intricate techniques, giving each composition a dynamic edge. The album is rich in crushing tempo changes, which are a key element of this genre. The band successfully blends heavy, slow sections with expressive blast beats. The prominently featured snare creates the right atmosphere, and the precise execution of these parts leaves the listener feeling overwhelmed by the intensity of the music. This simultaneously intense and technical approach to composition makes the album sound less like a debut from a young band and more like a work of seasoned musicians.
The vocals in “NewBorn BabyBong” deserve a separate discussion. While somewhat monotonous, the deep tone and appropriate timbre create the perfect backdrop for the powerful instrumental segments. The vocalist fits seamlessly into the slam death metal style, and his voice adds to the overall dark ambiance. The lyrics, though not always prominent, provide additional context that can be appreciated through repeated listens. One cannot overlook the drums—a crucial element that drives the entire album. The drummer of Purity In Perversion showcases not only extraordinary technique but also the ability to adapt to changing tempos. The wonderfully executed slowdowns complement the meaty, low-tuned guitars perfectly. The daring accelerations and complex transitions require considerable skill, and if the drummer can faithfully reproduce their parts live, they deserve admiration. An interesting technique worth noting is the use of short intros before each track. This nod to tradition was once very popular among metal bands. These cinematic interludes not only build tension but also set the listener in the right mood for each song.
“NewBorn BabyBong” is an album that certainly deserves attention. It stands out as one of the better releases in the brutal slam death metal genre this year. Purity In Perversion proves that young bands can still offer a lot to this scene. I eagerly await their live performances in Europe, as I am convinced that their onstage energy will be just as impressive as in their recordings.
Rate: 5/6
https://purityinperversion.bandcamp.com/album/newborn-babybong
